Culture of Volume, the second album from East India Youth, opens with The Juddering, an instrumental that starts off spitting out a synth- line reminiscent of Bowie’s title track to Station to Station, before the big synths take over.
Culture of Volume is not an instrumental album, the majority of the tracks feature vocal performances, the first of which, End Result, sneaks in some Duran Duran sounding synth flavours, and displays an intelligent, expansive arrangement.
Beaming White, though driven by mid-80’s sounding synths in the intro, has a feel of Delphic‘s Acolyte album. And that’s a key point with this album – William Doyle (aka East India Youth) is clearly influenced by the 80’s sounds of Kraftwerk, David Bowie, Ryuichi Sakamoto, John Foxx and Soft Cell but he writes songs that are contemporary, with vocals more inspired by Wild Beasts and Everything Everything than his apparent 80s influences.
Hearts That Never is one of the more up-tempo pieces, with a great bass-line and rolling percussion. The hands-in-the-air anthem Entirety is lifted by the sweet keyboard lines towards the middle of the pacey, at times industrial track.
The stand-out song for me is Carousel, which has shades of The Garden era John Foxx, and a real 1980’s 4AD feel in the use of long, spacey reverbs. Beatless and beautiful, it’s a moving piece of music, especially the slowly distorting outro, which has a little of the feel of The Disintegration Loops by William Basinski.
The straight-forward pop of Don’t Look Backwards has a dreamy treated piano and strings ending, which plays perfectly into my second favourite track, the 10 minute plus Manner of Words. Slow-burning textured pads and lead lines give way to disintegration and decay.
The album closes with Montage Resolution, another instrumental soundscape built from layers of jagged reverb-heavy lines underpinned by a deep synth.
This is the first music I’ve heard from East India Youth, and its piqued my interest enough to seek out their debut album, Total Strife Forever.